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Cue Design System

Collaterals

The finished formats — one-pagers, deck slides, banners, social and out-of-home. What each is for, the canvas and layout rule that govern it, where the source file lives, and the command that makes the next one.

The set

Seven formats, one artboard

Everything Cue ships as a finished asset is one of these. Each has a fixed canvas, a written layout rule and at least one real file behind it — nothing on this page is a mock-up of something that does not exist yet.

FormatCanvasShips asRule
One-pager 8.50 × 10.98 in · 2 pages PDF, PPTX and a self-contained HTML bundle one_pagers/LAYOUT_PATTERN.md
Deck slide 16:9 · 1920 × 1080 (authored 1280 × 720) Twelve HTML archetypes on one stylesheet + a 19-slide pattern library templates/slides/ · css/slides.css
Web banner 1872 × 562 · 1982 × 500 Two finished PNG composites readme.md §4 — logo and font rules
Launch banner 1280 × 720 · 1080 × 1080 Two finished PNG composites guidelines/foundations/brand-banner.html
Word document 8.50 × 11.00 in · US Letter A .docx template with a branded cover and a styled body Fountain - Word Document Template - V2 (Cue Version).docx
Social card near-square, three to a story A nine-card campaign board (contact sheet only) assets/brand-guidelines/campaign-social.jpg
Out-of-home portrait shelter · landscape billboard In-situ mock-up sheets assets/brand-guidelines/campaign-ooh.jpg

Format 01

One-pagers

Fountain’s standard leave-behind is a two-page PDF exported from Google Slides. Page one is the hook, page two is the proof. The same document is kept in three formats so it can be mailed, presented or embedded without a re-layout.

Cue one-pager page one — hero band, Meet Cue block, industry cards
Page 1 — the hook

Reading order is header → promise → supporting paragraph → proof. A full-bleed hero band carries the eyebrow, the H1 and the trusted-by logo wall; under it the “Meet Cue” block pairs a 60–80 word paragraph with a live Cue conversation card; a four-up industry row closes the page.

8.50 × 10.98 inpage 1 of 2 Cue - One pager.pdf
Cue one-pager page two — suite modules, outcome cards, Ask it Run it band
Page 2 — the benefits

A structured grid of proof points: four suite modules in pale-indigo cards, then four photo metric cards each carrying one number and one customer line, then the “Ask it. Run it.” band with the CTA. The offer module the pattern describes is replaced here by a demo CTA.

8.50 × 10.98 inpage 2 of 2 Cue - One pager.pdf

The page spec

Page size
8.50 × 10.98 in — Google Slides’ “US Letter” portrait, stored as 7 775 575 × 10 044 100 EMU. Real paper is 8.5 × 11; Slides trims a sliver for safe area. The shipped PPTX carries exactly those EMU values.
Margin
≈ 0.4 in left and right, ≈ 0.2 in top and bottom on content.
Footer
The full Fountain logo as a watermark in the bottom-left, ≈ 0.9 in wide, 0.3 in from both edges. No tagline, URL, year or phone strip. A year, if one is needed, goes inside the copy that needs it.
Logo variant
Full logo on white or pale-indigo pages; the white variant on deep-blue or photographic pages. Never the icon set beside the word “Fountain” as text.
Export
Google Slides → File → Download → PDF document.
Ships as
Cue - One pager.pdf — 2 pages at 612 × 790 pt
Cue One Pager pptx.pptx — 2 slides, the same EMU page
Cue One Pager html.html — a 16 MB self-unpacking bundle that renders the same two pages as stacked 816px sheets
The benefits grid

Three eyebrows, nine rows — the most reusable module in the whole one-pager, and the block worth lifting first.

Columns
x = 0.43 / 3.10 / 5.76 in, equal 2.67 in gutters
Icon
0.50 × 0.50 in squircle at column-x
Rows
y = 2.07 / 2.75 / 3.43 in, ≈ 0.70 in tall
Text
starts at icon-x + 0.62 in, ≈ 1.69 in wide
Never
a fourth column — it breaks at US Letter width. Past nine benefits, split across two pages or drop to two columns.

Layout rules

Design DNA
  1. The header hero photo bleeds to three edges — top, left, right.
  2. Eyebrow labels are mono caps at ~11pt, letter-spaced +0.08em.
  3. Three benefit columns is the default, and the maximum.
  4. Product icons are 0.5 in rounded squircles from the product icon set.
  5. The results module is always a title, bulleted metrics and a supporting photo on the right.
  6. The offer module is always a card with a gigantic amount, one line of body and a “see conditions” or “book a demo” CTA.
  7. Pull-quotes use oversized typographic quote marks, italic body, byline in Medium below.
  8. The customer logo wall is six logos wide, greyscale, under a “trusted by” eyebrow.
Cue refresh, when adapting
  • Old blue → the Cue deep-blue palette #000452 / #2E3FCD / #2F72D6. The header overlay moves to this gradient and the old indigo footer band goes away entirely — the bottom-left watermark replaces it.
  • Pale-indigo cards #EEF2FF at 16px radius on white, for the results and benefits modules.
  • H1 CircularXX Bold 700 at 44–52pt, tracking −0.03em, leading 1.05. H2 promise line 28–32pt Medium.
  • Body CircularXX Regular 450 at 11–13pt, leading 1.45. Eyebrows Andale Mono 10pt caps, +0.08em.
  • Hero imagery prefers the refresh scene photos and worker portraits, with a slight indigo duotone wash.
  • The sphere can replace the right-hand supporting photo on the hook page when you want a pure brand moment instead of a lifestyle shot.

Variant B — the model to emulate

The source template ships two variants; the second reads faster and is the one to copy.

  • The header hero is shorter — 2.14 in rather than 2.63 in. More text-first, less photo-first.
  • The H1 wraps to three lines with clause breaks for rhythm instead of two.
  • The benefits block moves to the bottom of page 1, inside a pale-indigo rounded card at 0.01, 6.78, 8.50 × 4.20 in. The card gives the grid a visual home and anchors the whole page.
  • Page 2 opens with the pull-quote as a full-width indigo banner (0, 0, 8.5 × 1.31 in), not with the H1.
  • The results trio is numeric-first — “12 → 3”, “+45%”, “8–10 hrs/week” each get their own big-number treatment.
Where the shipped file departs from the rule

The Cue one-pager in One pager examples/ is a real, finished asset, but it does not follow LAYOUT_PATTERN.md on three counts. The Fountain logo sits top-left inside the hero band on page 1 and bottom-right inside the CTA band on page 2, rather than as a bottom-left watermark on both. The trusted-by wall is eight logos across two rows, not the six-logo header card. And page 2 ends with a contact strip — the one thing the pattern explicitly forbids — which is still carrying placeholder copy (John Doe · john.doe@fountain.com · 123-456-789).

Treat the pattern as the rule and the PDF as the current artwork; the two need reconciling before the next export.


Format 02

Deck slides

Twelve archetypes cover the shapes the sales deck actually uses. They are not twelve documents: each is a bare <section class="slide …"> fragment in templates/slides/, and all twelve share one stylesheet, css/slides.css, built on the same tokens as every page section. The previews below are headless renders of those fragments at 1280 × 720, not redrawings.

Title · Ask it. Run it. — Cue slide archetype, 1280×720
Title · Ask it. Run it.

The cover. Eyebrow, a 128px two-tone headline and the sphere over the deep-blue panel gradient. Also the model for the back cover.

1280 × 720 .slide--dark --gradient-panel-deep .slide__watermark--light slides/01-title.html slides/TitleSlide.html
Big quote — Cue slide archetype, 1280×720
Big quote

One line on blue. A 120px sphere, the display step and a 23px answer under it. Nothing else on the slide — the tension beat before a section turns.

1280 × 720 .slide--immersive --gradient-immersive .slide__watermark--light slides/02-big-quote.html slides/BigQuoteSlide.html
Customer story — Cue slide archetype, 1280×720
Customer story

A 1.2fr / 1fr split: a 64px pull-quote and a logo byline on the left, a statline card on the right carrying the counts and what Cue replaced.

1280 × 720 .slide--light --neutral-white .slide__watermark--dark slides/03-customer-story.html slides/CustomerStorySlide.html
Three prompts — Cue slide archetype, 1280×720
Three prompts

Intent → outcome, three across. Each card is a role dot, the prompt in the lead step, a dashed rule and a green tick with the result.

1280 × 720 .slide--light --neutral-white .slide__watermark--dark slides/04-three-prompts.html slides/ThreePromptsSlide.html
Origin · past → future — Cue slide archetype, 1280×720
Origin · past → future

The dual-image frame: 1987 on the left, 2026 on the right, each a figure with a pill caption. The pair now stops at the watermark safe area.

1280 × 720 .slide--light --neutral-white .slide__watermark--dark slides/05-origin.html slides/OriginSlide.html
Section divider — Cue slide archetype, 1280×720
Section divider

A numbered section marker — an ordinal, a short rule and two words at the display step on a full-bleed ground. The most-used layout in the deck: it recurs five times and had no archetype at all.

1280 × 720 .slide--dark --gradient-panel-deep .slide__watermark--light slides/06-section-divider.html deck slides 3, 9, 31, 41, 46
Agenda — Cue slide archetype, 1280×720
Agenda

Table of contents. Four numbered rows on hairlines over the sky gradient, the ordinal and the label sharing one type step so the column reads as a list, not a table.

1280 × 720 .slide--sky --gradient-sky .slide__watermark--dark slides/07-agenda.html deck slide 2
Product module — Cue slide archetype, 1280×720
Product module

The workhorse — eight slides in the deck use this shape. App icon and eyebrow, a three-line headline, three benefit blocks, and the product visual rebuilt live as a Cue thread rather than pasted in as a screenshot.

1280 × 720 .slide--light --neutral-white .slide__watermark--dark slides/08-product-module.html deck slides 12–17, 21, 25, 26
Agent roster — Cue slide archetype, 1280×720
Agent roster

The three talent agents, portrait over a caption block, with the customer pull quote beneath. The portraits are lit on deep blue, so this one only works on a dark ground.

1280 × 720 .slide--dark --gradient-panel-deep .slide__watermark--light slides/09-agent-roster.html deck slide 18
Metric wall — Cue slide archetype, 1280×720
Metric wall

A customer result: industry and product chips, the customer mark, a headline, then the quote and three tabular figures side by side under one rule.

1280 × 720 .slide--light --neutral-white .slide__watermark--dark slides/10-metric-wall.html deck slides 36, 40
Credentials — Cue slide archetype, 1280×720
Credentials

The trust marks as typographic chips, three up and two down, with the two policy URLs beneath. Chips rather than certification badges — the badge artwork is third-party and is not in this system.

1280 × 720 .slide--dark --gradient-panel-deep .slide__watermark--light slides/11-credentials.html deck slide 45
Before / after — Cue slide archetype, 1280×720
Before / after

Six stages across, two rows down: the manual timeline against the Fountain one. A real table with row and column headers, never an image — the times are the argument.

1280 × 720 .slide--light --neutral-white .slide__watermark--dark slides/12-before-after.html deck slide 47

One watermark rule

The five slide files this replaces each wrote their own watermark as an inline style attribute and each pointed at a different logo file. Two of those files carried transparent padding, so the same height:40px put the Fountain mark on screen at 40px on three slides and about 15.6px on the other two. The fix is structural: the geometry lives in a single rule and the image is supplied by CSS, so an archetype chooses a colour variant and nothing else.

.slide__watermark {
  position: absolute;
  left:   var(--slide-mark-x);   /* --space-14 · 56px */
  bottom: var(--slide-mark-y);   /* --space-12 · 48px */
  height: var(--slide-mark-h);   /* --space-10 · 40px */
  width: auto; display: block;
}
.slide__watermark--light { content: url('../assets/brand/fountain-wordmark-white.png'); }
.slide__watermark--dark  { content: url('../assets/brand/fountain-wordmark-dark.png');  }

Both source files are trimmed to their ink and normalised to 200px tall at 6.24 : 1, so height alone fixes the mark identically on either ground. scripts/build-slides.py enforces it on every render: it measures getBoundingClientRect() on each .slide__watermark, then renders each slide a second time with the mark hidden and differences the two frames to get its real painted extent — a padded logo passes the first check and fails the second. It also fails the build if any element lands inside the mark’s keep-out box. Across all 12 archetypes both numbers are 40px, spread 0.00px.

Canvas and furniture

Canvas
16:9 at 1920 × 1080. The twelve fragments are authored at 1280 × 720 — the same ratio at 0.667×, so a render scales cleanly either way. .slide fixes that box; the build fails if a fragment reports any other size.
Watermark
The Fountain logo, bottom-left of every slide, at height:40px; left:56px; bottom:48px — white variant on a dark ground, dark-blue on a light one. Never a phone number, address or URL strip beside it; title and back-cover slides use the same position.
Safe area
Every stage reserves --slide-safe at the bottom — 48 + 40 + 24 = 112px, the mark’s own box plus a space step of air. This is what the old Origin slide was missing, and it is derived from the watermark tokens rather than typed in, so the two cannot drift apart.
Surfaces
Four, all from gradient tokens: .slide--light, .slide--dark (--gradient-panel-deep), .slide--immersive (--gradient-immersive) and .slide--sky (--gradient-sky). A dark surface reassigns the ink variables wholesale, so a card or a chip never has to ask which ground it is standing on.
Page numbers
Bottom-right, on content slides only.
Type
Display CircularXX Bold 700, tracking −0.03em, leading 1.05. Body CircularXX Regular 450 at 18–22pt, leading 1.4. Eyebrows Andale Mono 11pt uppercase, +0.08em. Google Slides exports substitute Plus Jakarta Sans.
Colour
Deep-blue fill #000452 → #2F72D6 on a dark slide; pale-indigo cards #EEF2FF on a white slide.
The sphere
Always on cover and section-break slides. Never as a bullet or a micro-icon.

The slide type ramp

The deck canvas is 1280 wide against the library’s 1440 artboard, so the page scale is 1.125× too big for it. Rather than a second set of hand-picked sizes, every slide step is a page token multiplied by --slide-scale, which is calc(1280 / 1440). Two of them land on round numbers by arithmetic, not by choice.

StepDerivationRendersUsed for
--slide-display--h1 × 2 × scale128 pxCover and section-break headlines
--slide-hero--h1 × scale64 pxPull quotes and hero figures
--slide-title--h2 × scale49.8 pxSlide titles
--slide-subtitle--h4 × scale35.6 pxModule headlines, agenda rows
--slide-lead-lg--h5 × scale23.1 pxPrompts, answer lines
--slide-lead--h6 × scale19.6 pxBlock leads, stage times, names
--slide-body--text-l × scale16 pxParagraphs
--slide-eyebrow--text-m × scale14.2 pxEyebrows
--slide-caption--text-s × scale12.4 pxCaptions, notes, roles

Composition rules

  1. Section breaks are typographic, not photographic. Big words, tight leading, generous margins.
  2. Content slides are grids of equal tiles — three-up and four-up patterns outnumber everything else.
  3. One hero number per slide. When numbers matter they dominate at 72–180pt; when they don’t, they are absent. Every figure is font-variant-numeric: tabular-nums.
  4. Steppers and timelines use thin horizontal bars, never fat boxes.
  5. Quotes use oversized typographic quote marks, not a grey quote card.
  6. Icons are product squircles from the product icon set, not line icons.
  7. A comparison is a table, never a picture of one. The before/after archetype is a real <table> with row and column headers, so the times stay selectable, tabular and translatable.

The pattern library behind the archetypes

The first five archetypes are rebuilds of the sample slides shipped with the Marketing Design System, which are themselves drawn from a 19-slide sales-deck template. Slides 13–19 of that deck are its reusable layout library; these are the patterns worth inheriting when a new deck needs a slide the twelve archetypes don’t cover.

PatternLayoutCue application
Prompt → diagnosis → fix One enormous prompt in the body copy, three labelled outcome blocks below, then an end-stamp line. The Ask it / Run it loop. Glass card for the prompt, three numbered result cards underneath.
Three prompts Three vertical columns: role label · prompt in quotes · the old cost. Shipped as 04-three-prompts.
Single customer story Portrait card with photo, logo and role; a pull-quote; a hard metrics strip. Shipped as 03-customer-story.
Customer proof grid Three giant numbers, each with a one-line caption. No logos, no decoration. Shipped as 10-metric-wall, with the quote moved alongside the numbers so the attribution clears the watermark.
Pain stat A small setup line and three stacked numbers. Very tight typographic composition, one colour. Vertical stat stack, Bold, indigo numerals on pale indigo.
Old model vs. new Two-column comparison: dashboards / manual / reactive against autonomous / end-to-end / proactive. The past → future split card at full-slide. Shipped as 05-origin.
Pull-quote Huge opening quotation mark, a two-line italic quote, byline with role. Photo optional, inset right. Shipped as 02-big-quote; the quote mark is .slide__quote-mark.
Process flow with time savings Horizontal stepper — Post → Screen → Schedule → Interview → Offer → Onboard — each step with icon, current time, improved time and one line. Shipped as 12-before-after, as a real two-row table.
Phased timeline Four-column Gantt — Month 1–4 — with stacked task bars and a hypercare bar along the bottom. Any rollout slide. Rounded-pill bars: indigo active, pale indigo upcoming, deep blue for hypercare.
Customer-journey swim lane Value proposition on the left, four numbered phases with an icon and three lines each on the right. Consultative sales → implementation → success → expansion.
Four-quadrant model Plan · Design · Test · Deploy — four evenly spaced cards, icon, subtitle and a 4–6 item checklist, equal visual weight. Implementation model slide.
Integration matrix A 2×2 or four-up of options with a small diagram on each card. High density, low decoration. Webhook · iFrame · Seamless · Partner Access.
Logo wall A heading and 12–16 customer logos, greyscale, left-aligned grid, evenly sized. Customer proof, closing a section.
What changed in the five originals

All five. The inline watermark styles and the two mismatched logo files are gone; every archetype now takes the shared rule and the normalised wordmarks in assets/brand/. Their layout CSS was not ported — the markup was rebuilt on the slide system, so a change to a token or a step reaches all 12 at once.

Origin. The image grid ran to the 72px bottom padding while the watermark sat at bottom:48px, so the Fountain logo overlapped the 1987 photograph. The grid now stops at --slide-safe, and the build fails if anything reaches into that corner again.

Customer story. The byline avatar pointed at assets/avatars/worker-portrait-blonde.jpg, which is not a portrait — it is a 2048 × 1308 globe-and-avatars scene that circle-cropped to a blue smear. No photograph of Brandy Pullen exists in either source system, and putting a stock face against a named person’s quote would be a fabrication, so the byline is now the Artera Services logo and a typographic name/role lockup. The statline card gained the three “what Cue replaced” lines from the same customer story in the sales deck.


Format 03

Banners & email

Four finished composites cover the banner surface: two wide web banners on the “Cue is here.” line, and the launch banner in 16:9 and square. All four are raster exports, so they are set in CircularXX rather than the web substitute.

Cue is here · orb left — 1872 × 562
Cue is here · orb left

Orb bleeding off the left edge, headline and “Try it now” pill stacked on the right. The wider of the two web banners.

1872 × 562 3.33 : 1 assets/banners/banner-cue-is-here-left.png
Cue is here · orb right — 1982 × 500
Cue is here · orb right

Mirror image: headline left, orb right, the pill sitting inside the orb’s glow. The flattest of the set — the one that survives a narrow slot.

1982 × 500 3.96 : 1 assets/banners/banner-cue-is-here-right.png
Launch banner · 16:9 — 1280 × 720
Launch banner · 16:9

The master visual: sphere, “Ask it. Run it.”, and a real frontline intent sitting in the composer pill with the cursor still on the send button.

1280 × 720 16 : 9 assets/banners/cue-launch-banner.png
Launch banner · square — 1080 × 1080
Launch banner · square

The same composition squared up for a feed, with the positioning line above the orb and six worker capsules ringing the frame.

1080 × 1080 1 : 1 assets/banners/cue-launch-banner-1080.png

What governs them

  • Copy. “Cue is here.” / “Meet the Frontline Superintelligence.” / “Try it now”. Headlines are sentence case with hard periods — the period is load-bearing, it is the pause.
  • The logo. Full Fountain lockup or the icon alone; never the icon set beside the word “Fountain” as text. On the 16:9 and square banners it sits centred at the foot; on the web banners it is absent and the Cue orb carries the brand.
  • Type by output. Static raster — banners, social, print — is set in CircularXX. Rasterisation keeps the licence intact.
  • Gradient. Blue only. Gradients are used liberally on blue and never on white; never pink→blue, pastel-rainbow, or purple→pink.
  • The orb. Always centred in its own field and floating over blue, with its halo intact. It is never cut into a shape or placed on white.
No email template exists

Neither in-house system carries an email or newsletter layout — no HTML email, no header/footer spec, no width rule. The four banners above are the only header-shaped artwork in the library, and the 1872 × 562 and 1982 × 500 crops are what an email header would currently be cut from.

The guideline card guidelines/foundations/brand-banner.html also describes the launch banner as a 1920 × 1080 hero social banner, but the file it displays, cue-launch-banner.png, is 1280 × 720. Same ratio, two-thirds the resolution — worth re-exporting at the documented size before it goes anywhere large.


Format 04

Social cards & out-of-home

The campaign runs on one formula, in three beats. It is the same formula at every size — a feed card, a transit shelter, a wallscape and a billboard all tell the story the same way, and all of them land on the same two words.

The three-beat sequence

Three social cards in sequence: a crew called out, what Cue ran, and the outcome ending Run it.
one story, three cards cropped from assets/brand-guidelines/campaign-social.jpg
1 · The situation

A frontline photograph. The “HR Superintelligence” eyebrow pill sits top-left; two short lines bottom-left name what broke and what didn’t — “A crew called out. The site didn’t slow.” A quiet “Learn how →” closes it.

2 · What ran

No photograph — a blurred colour field pulled from the first card. Three or four clipped sentences list what Cue actually did, in order: “Immediately triggered. Opening published. Security requirement set. Workers screened.”

3 · Run it.

The same worker returns, circle-cropped into the card. Two lines resolve the story and the last one is the campaign line in bold — “A job opened up. He stepped in. Run it.”

The boards

Nine social cards: three frontline stories, three beats each
Social board — three stories, nine cards

Three stories run the formula: a crew called out on a construction site, two baristas called out mid-service, a weekend delivery surge. Each row is one story, each column is one beat, and the colour field of the middle card is sampled from the photograph beside it.

1200 × 1251 assets/brand-guidelines/campaign-social.jpg
Out-of-home mock-ups: a transit shelter and a building wallscape
Out-of-home — shelter and wallscape

Portrait format, one worker, the same two-lines-plus-“Run it.” structure, with the Fountain logo under the copy. At this size the photograph takes the top two-thirds and the copy block sits in a colour field below it.

1200 × 1418 assets/brand-guidelines/campaign-ooh.jpg
Billboard mock-ups: a wall-mounted board and a roadside billboard
Billboard — landscape

The landscape cut: photograph left, copy right, eyebrow above the headline, logo under it. Three lines maximum — situation, outcome, “Run it.” — because it has to read at speed.

1200 × 917 assets/brand-guidelines/campaign-billboard.jpg
Square launch banner, 1080 × 1080
The one production-sized square

Of everything on this page, cue-launch-banner-1080 is the only square asset that exists at a real export size. Any feed card that isn’t on the “Run it.” formula starts from this composition.

1080 × 1080 assets/banners/cue-launch-banner-1080.png
The gap in this format

The nine “Run it.” cards exist only inside the campaign boards. There is no per-card export, no artboard size, no live layout file — the boards are flat Figma crops, so the copy cannot be changed and a tenth story cannot be made without going back to Figma. Same for the out-of-home and billboard sheets: they are in-situ mock-ups, not the artwork placed in them.

Everything about the sequence on this page is read off the boards. Card dimensions are deliberately not stated, because the crop is the only evidence and it is not square enough to trust.


Format 05

Illustration & scene assets

The raw material every format above is built from: two paired scenes, three backgrounds, the worker capsules and the orb. These are ingredients, not finished assets — but the rules about how they may be used are as fixed as the page sizes.

Past · staff schedule, 1987
Past · staff schedule, 1987

The “before” half of every past → future composition: a whiteboard rota, a wall of paper, a manager with a marker.

2048 × 1117assets/scenes/past-staff-schedule-1987.png
Future · manager, 2026
Future · manager, 2026

The “after” half, shot in the same room from the same angle so the pair can sit side by side in one frame.

2048 × 1117assets/scenes/future-manager-2026.png
Aurora · dark
Aurora · dark

Soft blue aurora wash for a dark panel. Already 16:9, so it drops straight behind a slide or a launch banner.

1280 × 720assets/backgrounds/blue-aurora-dark.png
Aurora · light
Aurora · light

The light counterpart — a pale wash that keeps a white page from going flat without pulling it into the blue world.

2048 × 1332assets/backgrounds/blue-aurora-light.png
Wallpaper · deep blue
Wallpaper · deep blue

A 4K deep-blue field. The only background asset large enough for an OOH or wallscape crop.

3840 × 2160assets/brand/wallpaper-blue.png

Worker capsules

Transparent PNGs, already circle-cropped with the thin white ring, sized for placement over blue. Six of them ring the square launch banner and the hero compositions; they are the only cut-out people in the library.

111 × 111 (worker-portrait-guy is 136 × 136) assets/templates/avatars/ from Marketing Design System assets/avatars/

The rules

Backgrounds — three modes, no fourth
  • Deep blue hero — radial or photographic aurora.
  • Pale indigo card — #EEF2FF.
  • White page.
  • Backgrounds carry very subtle grain and soft radial light rings; never hard edges. Gradients go on blue and never on white.
Photography
  • Documentary-realist frontline workers — driver, retail, food service, logistics.
  • Never posed. Natural daylight, slightly warm.
  • Faces are circle-cropped with a thin white ring when placed on blue.
  • Scene pairs are shot from the same angle so past and future can sit in one frame.
On the orb

The canonical mark is in this project already — assets/brand/cue-orb.png (512px), cue-orb-lg.png (1016px) and cue-orb-icon.png (128px). The sphere renders in the Marketing Design System’s assets/sphere/ are the washed-out versions being replaced; the rebuilt slide archetypes above use the project orb through the .fx-orb primitive, so the old renders are no longer referenced anywhere in this system.

There is no motion asset. The guideline calls for a five-second seamless loop of the sphere; only still frames were ever delivered.


Format 07

Word documents

A .docx template for anything written long-form — a proposal, a security review, an RFP response. A full-bleed cover, then a styled body whose headings map one-to-one onto Word’s built-in style menu, so a writer picks “Heading 2” and gets the brand rather than formatting by hand.

The cover: white Fountain wordmark on a deep blue gradient with the wave motif, Title and Subtitle lower left
Cover — the wordmark reversed out top-left, Title and Subtitle set low on the page over the wave motif. Full bleed; the page margins do not apply here. 8.50 × 11.00 in · page 1
The body specimen: Header, Sub Header, Title 1 to Title 5, normal text, list items and a row of eight colour swatches
Body specimen — every style the template defines, in order, so a writer can see the ramp before choosing. The eight colour swatches sit at the bottom. 8.50 × 11.00 in · page 2

The page

Page size8.50 × 11.00 in — US Letter portrait
Margins1.00 in top, left and right · 0.75 in bottom
CoverFull bleed, ignores the margins. Deep blue gradient with the wave line motif; wordmark reversed out at top-left.
TypefacePlus Jakarta Sans throughout, using the SemiBold, Medium and ExtraBold cuts. Note this is the one Fountain artefact already authored in Jakarta rather than CircularXX.
The filefountain-word-template-cue.docx — 2.9 MB, ships with the site.

The type ramp

StyleSizeCutColourWord style menu
Title45 ptBold#FFFFFFdirect run formatting
Subtitle26 ptRegular#A4C2F4direct run formatting
Header—Bold#2B145Bdirect run formatting
Sub Header16 ptRegular#2B145BSubtitle
Title 118 ptBold · style default 17 pt SemiBold#2B145BHeading 1
Title 215 ptMedium#2B145BHeading 2
Title 314 ptRegular#2B145BHeading 3
Title 412 ptRegular#2B145BHeading 4
Title 512 ptRegular#2B145BHeading 5

Heading 1 is the one place the document and its own stylesheet disagree: the specimen paragraph is 18 pt bold, the style definition behind it is 17 pt SemiBold. A writer using the style menu gets 17.

Its palette does not match this system

Worth knowing before the template is used as a colour reference. Two of its eight swatches are a single hex digit away from a brand token — close enough that they were almost certainly eyedropped rather than copied, and far enough that a document and a web page put side by side will not match.

In the .docxHexNearest tokenToken hexVerdict
Color 2#5046E6--brand-600#4F46E5off by one in red and blue
Color 3#3480EF--blue-600#357FEFoff by one in red and green
Body / heading ink#2B145B--neutral-900#0F172Aa deep purple where the system uses slate
Color 1#2C0A76--brand-800#3730A3no equivalent
Colors 4–8#A6A1A1 #829AFF #27C78D #FE6D7F #EF9555——a separate accent set

The fix is a decision, not a patch: either the two near-misses are corrected to the tokens and the accent set is folded into tokens.css, or the document palette is declared deliberately separate and documented as such. Left alone until someone chooses.

Producing a new one

From sections to a document

The page sections in the component library are all authored on one 1440px artboard. scripts/compose.py drops any run of them into a sheet and scales the artboard to the sheet width, so a block behaves identically on the web page, in a one-pager and on a slide. Nothing inside a section has to change.

python3 scripts/compose.py --format letter \
    --sections 02 10 46 50 -o one-pager.html

A flowing US Letter document that breaks across pages. Add --one-per-page to give every section its own sheet instead.

python3 scripts/compose.py --format slide \
    --sections 02 25 46 33 -o deck.html

One 16:9 slide per section, scroll-snapped on screen.

python3 scripts/compose.py --format flow \
    --sections 01 02 09 51 -o landing.html

A plain 1440 web page with the sections stacked — what the Figma frame is. Sections can be named by number (02) or by slug fragment (comparison). Output lands in templates/.

The mechanism
Section markup goes inside .sheet__frame, which is 1440px wide and scaled with zoom rather than transform: scale() — zoom reflows layout, so an auto-height sheet shrinks to its content and page breaks land where they should.
Printing
@page is set to letter portrait at zero margin, sheets break after each other and shadows drop away. Print to PDF and the file is the deliverable.
On screen
<body class="deck"> turns a slide document into a scroll-snapped deck, one slide at a time on a dark ground.
Worked examples
examples/example-one-pager.html and examples/example-deck.html — the two previews below are renders of exactly those files.

Sheet geometry

SheetFlagPixelsScale Section budgetNote
US Letter portrait--format letter816 × 10560.567×1864 px8.5 × 11 in @ 96dpi
US Letter landscape--format letter-landscape1056 × 8160.733×1113 px11 × 8.5 in @ 96dpi
A4 portrait--format a4794 × 11230.551×2037 px210 × 297 mm @ 96dpi
16:9 slide--format slide1280 × 7200.889×810 pxthe deck canvas at 0.667×

The section budget is the tallest a 1440-wide section can be before the sheet clips it. On a 16:9 slide that is 810px, and 36 of the 51 library sections fit. The 15 that overflow are 04, 08, 10, 11, 12, 13, 19, 20, 21, 22, 34, 43, 44, 45, 46 — put those on a letter or A4 page, or split them.

A US Letter sheet composed from four library sections
letter — one flowing page

Four sections stacked in a single 816px column that grows to its content. Printing breaks it across pages; the sheet never clips.

816 × auto examples/example-one-pager.html
A 16:9 slide composed from one library section
slide — one section per sheet

A fixed 1280 × 720 sheet with the section scaled to 0.889×. Anything taller than 810px on the artboard is cut off at the bottom edge — the reason the budget column above exists.

1280 × 720 examples/example-deck.html

Which typeface, by output

A hard rule, and the one most easily got wrong when an asset moves between tools.

OutputTypefaceWhy
Google Slides / Docs / SheetsPlus Jakarta Sans CircularXX is not licensed for Google’s servers.
Static raster — banners, social, printCircularXX Brand face; rasterisation stays inside the licence.
HTML, prototypes, product UI CircularXX via @font-face Jakarta is an acceptable fallback only where embedding isn’t possible.
Mono — eyebrows, statlinesAndale Mono No font file was ever supplied; JetBrains Mono stands in on the web.

This site is in the third row and takes the fallback: css/tokens.css self-hosts Plus Jakarta Sans as a deliberate stand-in, so the library renders identically offline and in print. Swap the @font-face block for the CircularXX .otf files to get a true match.